Performance Critique: January 4

Monday night show

httpv://www.youtube.com/watch?v=YzbpxFNP_Xw

0m20s There was about 10 people and eight were on one side, and two on the other, so I commented on it

0m53s I should’ve added a second joke about the man date right after that

1m56s Good job doing a long pause, keep doing that

2m12s And they almost have a pulse

2m43s I did the mom lines way too quick, I need to pause after each one

4m30s It’s fun to call out something an audience members does and then watch them do it again (as long as it’s not talking while I’m talking)

5m44s It was a mostly foreign crowd so I decided to explain Medicare, and humorously failed when I couldn’t think of an explanation

Overall: I didn’t have a good set but I did learn to milk my pauses for longer during my opening Facebook joke. Almost every joke only had two or three people laughing (a.k.a 30% of the audience).

“Stealing Jokes” – My Thoughts

Ironically, I stole this image from a Google image search
Ironically, I stole this image from a Google image search

You’re waiting your turn to go up on a show and suddenly you hear a bit that sounds real familiar. You’ve never seen this comic before but you know the next three punch lines. Hell you don’t just know ‘em, you wrote ‘em. “Hey, I’ve been doing that joke for weeks. What the hell?”

Many comic fear having their material stolen. I think it’s more rational to fear the microphone exploding in your eyes and blinding you than it is to be afraid that your precious jokes will be stolen. Sure this happens occasionally, but it is not as often as some comics like to think. Two of the most ridiculous statements I’ve heard over the past year are: “I don’t do open mics because they steal my jokes” and “LA open mic comics go on youtube, watch NYC open mic comics and take their material.” Both statements are excuses. The first is to excuse a comic’s laziness or lack of motivation to get on stage as much as possible. (Although I do think open mics become less valuable after you’ve been on stage a few hundred times.) The second quote is an excuse usually said by someone who doesn’t have a good video to post. It’s much easier to say “I’d post a video but I don’t want my material being stolen” instead of saying “I don’t have a video where the audience is laughing for five straight minutes, I need to get funnier.” Which of course begs the question, why are you worried about your unfunny material being stolen? If you’re afraid of getting your jokes stolen, you should put ALL of your videos online. What could make for more convincing evidence that you did a bit first?

If your jokes are being “stolen” something else might actually be happening: You’re writing hacky material or are being too topical. There’s only so many ways to do a marijuana joke and every comedian and their mother has written a Tiger Woods, Britney Spears and Paris Hilton joke. Your punch line about “eighteen holes” or “a hole in one” wasn’t stolen, it was just so obvious that five other comics thought of a very similar joke. I remember reading Lisa Lampenelli’s book and she mentions how at the Comedy Central Roasts she’d have a pen with her to cross out the jokes on her set list that the other comedians had already done about the guest of honor. Did all those professionals steal each other’s jokes? No! There’s just only so many Pamela Andersen fake tits and Tommy Lee has big cock punch lines one can think up.

So how do you solve this joke overlap? Make your material more personal. Very few comedians can steal my Russian family material because it would be inauthentic and make no sense to their stage persona. So focus on your life and find the funny in it. Hint: It usually involves pain. A comic, I forget who once told me, “comedy = pain + time” and “until you’re at George Carlin’s level, nobody gives a shit about your political opinion.” I agree: focus on your unique life situation and figuring it out how to get the audience to connect with it. Should you still write Tiger Woods jokes? Yes, because that’s still working on writing a joke, and if you get picked up by a TV show, you’ll need to be able to generate topical jokes daily. Just don’t be surprised when you hear three very similar jokes from comics you’ve never met. (And yes, I know I need to make my material more personal too, it’s a work in progress.)

Ok, let’s say your jokes are personal and they’re actually being stolen. In a fucked up way, it’s an honor to get your jokes stolen, that means you’re getting funny! And you should only be afraid of getting jokes stolen if you’re not planning on developing as a writer and performer. Fear of jokes being stolen means your jokes are coming from a place of scarcity, not of abundance. It shows you believe there to be a limited amount of jokes you’ll be able to write and that one of the 10 or 12 jokes you were able to come up with has been taken away. This usually means you’re not writing enough.

Jon Stewart, David Letterman, Conan and all those guys deliver ten to fifteen minutes of new jokes every show (sure they have a whole writing staff, but that’s not the point). If you’re trying to be around the comedy business for a long time you’re going to need write hours and hours of good material. Having one bit stolen here or there won’t make a huge difference. If you’re so funny that all your material is being stolen, start lifting weights, then say something. A comedian may have had your joke go into his subconscious and come out months later as a similar joke. Talk to them first and figure out who’s been doing it first. Comics don’t want to be known as joke thieves because once they have that reputation, everyone avoids them and 95% of your gigs are through other comics.

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Performance Critique: January 3b

This is me doing a guest spot on Sunday Night Live

httpv://www.youtube.com/watch?v=TfWW01bTgGU

0m03s The waitress was doing a last call as I was coming up

0m32s The music stopped a little too abruptly

0m40s I should’ve gone into the letter falling in more. Any time I improvise an opening observation, I need to improvise three observations in case someone misses hearing the first one or it’s not funny.

0m50s There’s talking but I decided to ignore it because it’s last call

1m50s I finally got the whole crowd listening and into it

1m56s I learned two nights earlier that if I take a pause after “I signed up” I’ll get an extra laugh

2m04s The mic kicked out for a second and I didn’t fully make it clear

2m32s That new line didn’t hit at all, never doing it again

3m35s The first part of the family material didn’t go over as well as I would’ve liked, I shouldn’t have gone into more family material since it wasn’t working that well

4m42s It should be “no have doctorate” instead of “not have”

5m11s Not sure why this joke completely missed

5m59s The delivery needs improvement

6m23s I didn’t pause for long enough and the “you must love sweaters” line missed completely for the first time in a while

8m09s This line doesn’t warrant an “oh god” reaction

8m26s This line does

8m48s At least I ended on a laugh

Overall: I sucked. I had one good laugh with the jdate joke but everything else was atrocious. I watched most of the show and this was a great crowd for everyone but me. I should’ve done more crowd work and worked my way into my jokes instead of just doing material and material. I should’ve also addressed the last call coming around as half the room wasn’t fully listening to me my first minute and a half on stage. Reviewing the tape it’s clear I’m not talking to the audience, but instead I’m talking at them. I think seeing how good of a crowd it was made me forget to be conversational because I was thinking “my material is gonna kill”.

Performance Critique: January 3a

This is me hosting the writer’s feedback mic and doing almost all new material

httpv://www.youtube.com/watch?v=3IlZTzXQ0mY

0m28s This was a new tag on an existing joke, not bad

0m46s Pause longer

1m02s I’m not sure if this is misogynistic, I think it’s funny

1m39s Not sure about keeping this joke

1m49s I like this one liner and it worked

2m02s Another okay one liner

2m24s I forgot to put in the word “nifty” before “answering machine”

3m07s When I actually respond like this in real life, it gets a laugh

3m31s This joke needs to be punched up or discarded, I think the premise is funny cause it’s true

4m12s Try repeating the fortune a second time but more incredulously

4m22s Another decent one liner, I should expand on it

Overall: A lot of the new stuff has some promise but everything but the one liners need major work. No one joke stood out as being exceptionally hysterical and the craigslist roommate and customer service jokes are in need of the most rewriting.

Performance Critique: January 2

This me doing a super loud, super quick, check spot (when the waitresses drop the bills) for a sold out show

httpv://www.youtube.com/watch?v=HxxaasdFMm4

0m24s Since it was so packed I decided to just do my material instead of calling out all the noise as tables receive their checks at different times and I figured someone was always listening

0m35s I’m practically yelling into the mic because it’s so loud

0m54s Amazing reaction considering it’s a check spot

1m10s I’m talking a lot faster than usual so that people keep paying attention

1m27s I’m looking around more than usual to try to connect with whoever isn’t looking at a bill

3m33s This set feels like I’m speed talking

Overall: Considering this was a ridiculously loud check spot, I did great. I wish I was able to do a normal set on this show, as I know I would’ve destroyed the room. I don’t like when I talk this fast, but I do think my voice tonality changes for the better when I talk faster. I need to learn how to sound excited but do it in a slow manner.

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